Expanded Territories

Catalyst Arts is delighted to host the Expanded Territories exhibition tours.

2nd April – 10th April 2015

Opening 2nd April, 6-9 pm

Expanded Territories explores the outcomes of bringing together people from divergent industries, fields and disciplines and encourages them to create solutions together, step out of their comfort zones and collaborate, support and inform each other. Expanded Territories will demonstrate the creative and innovative talents of the region, and highlight the distinctive resources and character of the region articulated through prototype products, concepts and experiences. Certain unifying themes are evident – (re)connection to natural resources, the sharing of creativity, sustainability and regeneration, and re-localisation, focusing on the overall objectives of the HCP. The April Exhibition will showcase concepts from cycle 2 of the Creative Labs and we would propose that the opportunity between June and December would bring together Creative Labs concepts from both cycles in addition to the presentations of the 12 new products which have been supported & developed through the HC programme. The exhibition will showcase the creative Labs concepts from both project cycles , 12 new product development projects and if possible an ancillary representation of the results of some of the HCP master classes which were based on the use of new techniques and digital technologies. The exhibition will be a culmination of the results of the overall Harnessing Creativity Project which concludes in June 2015. A number of the individual Creative Labs concepts from both cycles could have regional significance or could be developed across NI / Ireland.

For more information: http://www.harnessingcreativity.eu/

As it Stands | RESORT

Catalyst Arts is delighted to present As It Stands, a collaborative exploration of isolated space at Riddells Warehouse, Ann Street. 

Over the last week, Catalyst Arts & Resort have been working collaboratively in this ‘isolated retreat’ away from the confines of the conventional gallery and studio space.

Catalyst Arts and Resort have taken up residence in Riddell’s Warehouse located on Ann Street, Belfast. Now a dilapidated listed building, its close proximity to Belfast City Centre and its inaccessibility to the public, mean it correlates with our working methods.

The empty warehouse which is due to become the future site for the Royal Ulster Academy, now stands expectantly, awaiting funding and further administrative work to allow it to become an art gallery. During their short stay in the historic site, Resort will begin to restore and expedite Riddell’s re-introduction into its urban surroundings.

Nailing Jelly to the Wall

Nailing Jelly

Monster Truck at Catalyst

Nailing Jelly to the Wall

Neil Carroll / Jane Fogarty & David Lunney / Helen Hughes
Tadhg McSweeney / Maggie Madden / Liam O’Callaghan

31st May – 29th June, 2013

Opening reception: Thursday 30th May, 6pm – 8pm

Monster Truck’s exhibition will look at at how seven sculptors, two working collaboratively, utilise walls and other vertical gallery surfaces in a variety of different ways that is essential to their work, whether laying bare the processes of artistic design, using painterly techniques to expand narratives, elaborating into three dimensions from two, or amplifying the dialogue between construction and representation. The show will not be a typical ‘in the round’ affair, with floor works being tethered to the wall in various ways.

 

Nailing Jelly to the Wall

 

Picture a flag.  Imagine it bears your colours.  In your configuration.  No family crests, officious insignia, or figurative depictions.  Just your own, personal abstraction  /  When Ardal O’Hanlon was on RTÉ’s Late Late Show to champion Sean Scully’s Wall of Light Orange Yellow in a tie-in for the 2012 TV programme Masterpiece: Ireland’s Favourite Painting[i] he readily admitted it was an impossible sell.  ‘People hate that’ he assured us of the work  /  The relationship between sculpture and walls in a gallery context is most commonly a mixture of demarcation and work being provided a neutral vertical backdrop, rarely extending to physical dependence, conceptual support or aesthetic necessity  /  Your flag is lying on the floor  /  We have found that artwork which is too sympathetic to interior workspaces can become invulnerable to theft, being utterly invisible  /  When the ‘personal space’ of sculpture is hemmed by an additional plane there can be a co-adoption between the two.  It is often an anomaly – not there to augment a gallery environment, but to annex part of its space (& time) as a temporary egress for viewers  /  A Neanderthal male and female walk into a clearing in the forest.  Before them, a modernist domestic dwelling of the International Style.  They enter the white building  /  Your flag is flying at the top of a flagpole  /  Our relationship to sculpture is largely based upon the x/y axis of the horizontal plane – our everyday form and positions gravitationally bound  /  We embrace the possibility of failure, even when cogent offers abound to join dots left floating for us  /  It goes that if artworks have a job, this is telling a story, imbuing a message, recording something for prosperity.  Many assume these abilities are defunct in abstraction  /  Any sufficiently advanced technology is indistinguishable from magic[ii]  /  On the one hand, a simple proposition – an elemental visual lexicon full of possibility.  On the other, frustratingly esoteric visual gibberish  /  Your flag is pinned to a wall, displaying its form clearly, its staff 30° to the horizon.

 

Niel Carroll makes sculptural paintings and painterly sculptures, sometimes pairing them,  with a clear, open dialogue between the elements which make up his installations.  They seem to aspire to the worked surface as an ideal, but a malleable, even playful one, reminiscent of what an architect might three-dimensionally sketch if deprived of pencils and paper, doodling within the perimeters, deprived of a margin.

 

Helen Hughes utilizes both found objects and an array of purchased industrial products in her practice. Like an inventor tinkering in their workshop, she throws away the instruction book – end-product finishing points of manufactured goods being her starting point. Her sculptures are rarely inert – possessing and excising a palpable latent energy upon their surroundings. Her skill is in knowing where to subsequently stop and begin anew in the viewer realm. We might at first, like the artist, do this by pondering the teetering de(con)structive possibilities innate in its manifestation.

 

In Revolving Construction, we are privy to the inner workings of a phantasmagorical magic lantern. Even at his most abstract, Tadhg McSweeney’s work seems homely. Much of his material is detrital and used as if almost to evoke the childhood skill of configuring disparate objects to conjure so much more than the sum of their parts

 

Maggie Madden is interested in system schemata of all types. In Flow, a tangle erupts vertically, diagonally and horizontally towards its (open) end, while her Drawings close in upon themselves in an apparent, infinite conclusion – one akin to a Möbius strip being wired into an invisible fuzzbox[iii].

 

Liam OCallaghan has a sensitive command in matters of volume and scale, which is readily apparent in the spatial economy of his sculptural work.  With his sculpture In this Moment of Still Surrender, we are enticed to interpret a curious configuration. We might choose between reading a line of supplication, fear, generosity, or a darkly comic gesture with no need of a punchline. In his Companion Structures series, he pins the dimensionality of his photographed objects (and subsequent digital interventions thereof) to a single vista, impossible to prove impossible by the imagination.

 

Jane Fogarty & David Lunney‘s Adorned Documents addresses the fetishisation of the various constituents {information panels, objects, paraphernalia, documentation} that make up the experience of consuming art – it rarely being bestowed to the world in a contextual vacuum. Here, process, interpretation, design and presentation are melded into a flexile loop which can be entered into at any point.



[i]            imaginary tagline: “if you like X-Factor you’ll probably tolerate this and mightn’t even notice one of the paintings is a stained glass window”.

[ii]           (Arthur C.) Clarke’s third law.

[iii]           Being an effect device used on electric music instruments, to distort their signal.

The Embassy Salon Show

The Embassy Salon Show

8 July 2010 18:00 – 16 July


Catalyst Arts Presents

The Embassy Salon Show
9th July -16th July
opening Thurs 8th July 6-8

Catalyst Arts and the Embassy Gallery (Edinburgh) have come together
to present a selection of work from the Embassy Salon Show 2010. For
one week only the Catalyst will showcases the works of emerging and
established Edinburgh artists.
Works by Morag Keil, Tayto and Tayto, Ewan Sinclair, Alexa Hare, Leigh Chorlton,
Calvin Laing, Peter Amoore, Greg Fullerton and Tiffany Parbs, Tessa Payne,
Claire Louise Davies, Alan and Rose Holligan and Marie Smith.

Gallery opening hours Tues-Sat 11-5
Catalyst Arts
5 College Court
Belfast
BT1 6BX
www.catalystart.org.uk
catalystarts@gmail.com
02890 31 33 03

Capitalyst Arts

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Capitalyst Arts: First Thursday, 2nd July 2009

 

Date: 2 July 2009

Capitalyst Arts:One night, three events.

2nd July 2009

Evelyne LeBlanc Rouberge

Chinese Welfare Centre, 7.00pm

Evelyne Leblanc-Roberge- Wet Markets

How do we occupy or define our personal space? What is the relationship we have with our city, our home and the architecture that defines that space? Evelyne Leblanc-Roberge’s photography is an exploration of urban geography, the tension between public and private space and its impact on the individual narrative. Through the media of digital colour photography, collage and online media, Canadian artist Evelyne Leblanc-Roberge explores the impact of urban landscapes on identity, and invites viewers to observe each mise-en-scene and recreate their own narratives.

In 2008, she spent 7 months in China where she continued working along these lines. In her exhibition Wet Markets Evelyne presents a personal journey, underlining the small details that caught her eye over there. This is a collection of observations in and on China in construction, in transformation, with all the tensions between tradition and modernity, wealth and poverty, urban/rural, the ephemeral and the perpetual.

www.evelynelr.com

Exhibition continues through to July 30th

Raster Noton

Black Box Cafe, 7.00pm

“raster-noton . archiv für ton und nichtton” is meant to be a platform — a network covering the overlapping border areas of pop, art and science. Emerging from the fusion of the two labels rastermusic and noton (in 1999) they realize music projects, publications and installation works. The common idea behind all releases is an experimental approach — an amalgamation of sound, art and design.

So far the catalogue of the label consists of about 70 releases. Most of the projects follow the concept of a series with contributions by very different artists such as, william basinski, alva noto, ivan pavlov aka coh, ryoji ikeda, ryuichi sakamoto or carl michael von hausswolff.

Olaf bender and carsten nicolai run raster-noton. the label is based in chemnitz / germany.
Catalyst will be showing thier CD designs, print and audio visual works.
Exhibition continues through to July 30th

Aisling O’Beirn

Boom or Bust Pub Quiz

Rose and Crown Bar, Ormeau Road

Quiz Starts 9.00pm

Aisling will host a pub quiz with a local feel relating to Belfast. Entrants will get a free poster and there will be a prize for the winning team.

In Bed with McKenna

In Bed with McKenna

Date: 18 June 2009

IN BED WITH MCKENNA,  SINEAD O’DONNELL AND DEIRDER MCKENNA –
Catalyst TV througout Capitalyst Arts
In bed with McKenna gives you a chance to ponder the real meaning of Capitalism though thought provoking and playful interactions.  Together they produce a series of performances relating to Capitalism, the first installment being the capitalism spelling test.

Nika Oblak and Primoz Novak – Absolutely Fabulous 2

Nika Oblak and Primoz Novak – Absolutely Fabulous 2

29 May – 4 July

Special Preview Event 28th May 6 – 8 pm

Catalyst Arts presents the first solo show in the UK or Ireland for the internationally exhibited Slovenian artist cooperative of Nika Oblak and Primoz Novak.

Oblak and Novak’s practise spans film, photographic manipulations and installations and their pastiches of popular films like Pulp Fiction and Taxi Driver and the feats shown in the Guinness Book of World Records are characteristic of their light hearted approach.

Their work investigates the influence of mass media on the individual living in a consumerist, gobalised society. Using the idiosyncracities of social interaction Oblak and Novak explore the issues with sensitivity and humour.

For Absolutely Fabulous, Oblak and Novak will be presenting their photographic and video series We Did This And That, reconstructing absurd Guinness World Records. They aim to examine the obsession with success and fame in contemporary society, influenced by the mass communication media. In carefully constructed photographs and videos they appear to be record holders and confront the viewer with constructed categories of fiction and reality.

Alongside this will be Shund and Cab Driver, frame by frame recreations of the trailers for Pulp Fiction and Taxi Driver, with all parts played by the artists. In this way they subject themselves to the influence of mass media, exploring the position of an individual as a passive consumer of monopolized, one way communicated media content, and materialize a common fascination with celebrities.

Helen Sharp ‘The Hero and Now’

hero for postcard

Helen Sharp ‘The Hero and Now’

7 May 2009 18:00 – 14 May
Helen Sharp ‘The Hero and Now’
Opening Night 7th May 6-8pm
Exhibition running 7th-14th May 2009

The Hero and Now is a major solo show of new work by Belfast-Hebridean artist Helen Sharp.

The show presents a collection of prints, video, photographs and a live radio broadcast all developed over the past three years during her time as a PhD candidate at the University of Ulster.

Sharp’s PhD subject is ‘Illusions of Autobiography in Contemporary Art’ and maintains her thesis incentive is to prove the possibility of erasing oneself through autobiography…

Sharp’s practice has its foundations in an on-going project of ‘memory-journeys’ in which she travels to locations of ‘drug, time or experience – induced hazy memory’ and documents what she finds.

The show runs in Catalyst Arts, Belfast and runs for just a week. At the artists request the show will be flanked by wine and music on either end, opening on the Thursday 7th of May and closing on Thursday 14th of May with dj sets by Sharp herself and by David Holmes.

Shambles

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Shambles

Opening: Friday 1st May 6.30 – 9 pm
Continues – Saturday 2nd May 1 – 4 pm

An exhibition of recent work by 2nd year BA (Hons) Students of Sculpture, Photo, Time and Video from the School of Art and Design at the University of Ulster.

Ursula Burke: State of Grace

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Ursula Burke: State of Grace

5 March 2009 18:00 – 04 April

Special Preview Event: Thursday 5th March 6 – 8pm

5th March – 4th April

Catalyst Arts presents State of Grace, the first major solo show of 2009 showcasing new work by Belfast based artist, Ursula Burke.

For State of Grace, Burke has produced a body of sculptural and photographic work that is tactile, witty, and engages with a wide audience in a debate about the nature of ‘Irishness’ in contemporary terms. For this exhibition, Burke explores the collision of heritage and modernity in contemporary Ireland. As Irish citizens, visitors or members or the global Irish community, we share a conceptual map that allows us instant access to images of Ireland. Round Towers, Heritage sites, Celtic Crosses, Guinness, Riverdance, pastoral landscapes filled with an abundance of cows and sheep and so fourth are all routinely deployed as emblematic of an Irish experience, an Irish image. Contemporary images of Ireland, however are characterized by rising immigration levels, a floundering economy and the realization of the self, no longer through Catholicism, but through consumer choices. Ireland has become global.
In an era where Ireland is witness to a variety of racial confections and national borders are increasingly made more fluid, does this make Irish cultural characteristics and heritage seem more or less important?
Ursula Burke, born in Ireland, was educated at the University of Ulster where she is undertaking a PhD. Burke has exhibited extensively throughout Ireland and Europe. She has been involved in a myriad of roles within the visual arts in Northern Ireland, including being an ex-director of Catalyst Arts.

The Performance Collective

 

The Performance Collective

20 February 2009 18:00 – 26 February

Artists:
Alex Conway, Amanda Coogan, Dominic Thorpe, Francis Mezzetti, Michelle Browne and Pauline Cummins.

Friday 20th Feb         Living Installation     – 6-8pm
Saturday 21st Feb    Big Jam             – 6-8pm (at Catalyst)
Walking in the Way     – 1-2pm
(located on Church Lane between Victoria Street and High Street)
Sunday 22nd Feb     Discussion         – 3-4.30pm
Monday 23rd – Thursday 26th  Detritus of Performance and projected 11-5pm

‘Notes and Volcanoes’ Lyndsey McDougall and Hannah Casey

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‘Notes and Volcanoes’ Lyndsey McDougall and Hannah Casey

15 January 2009 19:00 – 24 January

‘Notes and Volcanoes’

Lyndsey McDougall and Hannah Casey show the accumulation of work made for their Masters in Textiles. The work includes paintings, drawings, textiles and mini sculptures. The work will be displayed until Saturday 24th of January.

Opening event Thursday 15th January at 7pm.

 

Catalyst Arts presents Open Studios

Catalyst Arts presents Open Studios

17 November 2008 11:00 – 20 December

Open Studios

Gallery hours – 11-5pm Tuesday – Saturday
Exhibition dates :
17th – 22nd November – Tit Tat ‘Disco Olympics’ – Opening Event Saturday Evening 22nd
24th – 29th November – Ben Craig – Sinéad Bhreathnach-Cashell. Opening event Friday 28th 12pm-5pm
1st – 6th December – Revati Mann – Opening Event Thursday 4th 7pm
8th – 20th December – Cian Donnelly – Opening Event Saturday 20th 8pm

Open Studios presents six artists to making new work in and for the Catalyst gallery space, over five weeks this winter.

The selected artists will transform the Catalyst gallery space into a creative laboratory, investigating contemporary studio practice through relocation of the studio into a gallery- a space in which audiences are invited to chat, observe and engage with the artists’ processes.
Visiting hours will be 11am to 5pm daily, Tuesdays to Saturdays.
We will develop photographic documentation of the space as it changes, which will be displayed in our Resource Room.

Come down and see whats happening!

 

 

24 Hour Comics

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24 Hour Comics

18 October 2008 10:00 – 19 October October 18th-19th

Catalyst Arts, 2nd floor, 5 College Court,Belfast In association with Queen Street Digital Studios

Bring your pencils and pyjamas to Catalyst for 24 Hour Comics- the annual, international events challenges individuals to produce a 24 page comic written, drawn and completed in 24 consecutive hours. From the Official 24hr Comics website: On August 31st, 1990, Scott McCloud (Understanding Comics), originator of the 24 Hour comic concept, completed his first creative marathon. On April 24th, 2004 Nat Gertler organized the first 24HCD bringing together legions of participants all over the world in this annual event. In the years since, thousands have tried and many have succeeded in creating their own 24 hour comics. This event was held in assocation with Queen Street Digital Studios. Participants are advised to bring their own materials, something cosy to doze in and their own choice of food There was a series of mystery film screenings after 9pm. Participants in 24 Hour Comics Belfast 2008 included: Patrick Brown Richard Davis Andrew Croskery Jonny Shields Michael McNulty Fionnuala Doran Among others! To see some of the comics made, visit Belfast 24 Hour Comics’ comicspace profile. Michael McNulty- Shaving is Still a Bastard Richard Davis- Secret Andrew Croskey- Four Seasons * * * Patrick Brown- Something Jonny Shields- Untitled No. 2 Fionnuala Doran- Corgi For more information on the other locations worldwide for 24hr Comics, check out: Official 24hr Comics Website Irish 24hr Comics

 

 

Big Draw at Catalyst

Big Draw at Catalyst

17 October 2008 19:00 –

Big Draw at Catalyst Arts

Friday 17th October 7-9pm

Join the Big Draw Campaign for drawing this Friday at Catalyst. Create drawing webs and machines, take a lap in a drawing relay or long distance draw. Put our materials to the test with your ideas.

 

 

Hybrid Art II – Kiyoshi Takahashi

Hybrid Art II – Kiyoshi Takahashi

16 October 2008 19:00 – 22 October

17.10.08 – 22.10.08

Preview

Thursday 16th October 6pm-8pm

 Performance 7pm

Catalyst Arts is pleased to present an exhibition by Japanese artist Kiyoshi Takahashi.

Kiyoshi Takahashi¹s work often consists of bold, simple, iconic images, especially exaggerated words and forms. The prototypical words and letters contain a sense of power, energy and strong will. The work’s have the initial impact of the exuberant world of the Manga comics.

His work is characterized by traditional themes and techniques of Japanese calligraphy combined with popular mass culture, such as advertising, comic books emphasizing the banal or kitschy elements of any given culture.

 

First Thursdays at Catalyst: Artist’s Short Films

artistsshorts

First Thursdays at Catalyst: Artist’s Short Films

4 September 2008 19:00 –

As part of Late Night Art, Catalyst Arts presents a night of artists’ short films.

Short Films Showreel Thursday 4th September 2008

 

1: M. Dawn Hannah, When Enough is Never Enough 1.30 minutes

 

2: Kate McCulllough, Self Safari 5.30 minutes

 

3: Alex Perl. Automatic Film 4.30 minutes

 

4: Lisa Byrne, Taxi III: Stand up and Cry Like a Man 3.50 minutes

 

5: Jeremy Newman, Derf 3.58 minutes

 

6: Alexander Heim, Dog 4.15 minutes

 

7: Seamus Harahan, Before Sunrise 3.25 minutes

 

8: Erica Scourti, Ghost Story 3.50 minutes

Presented as part of Late Night Art, in association with Belfast Galleries.

Rob van Rijswijk, Jeroen Strijbos- Soundspots

Rob van Rijswijk, Jeroen Strijbos- Soundspots

28 August 2008 00:00 – 29 August

Thurs 28 – Fri 29th August Rob van Rijswijk, Jeroen Strijbos- Soundspots

The listener must position himself underneath one of the Soundspots. On this spot he hears music coming from the traditional speakers. These sounds mingle with the music coming from the Soundspots, consequently resulting in a polyphonic texture of timbres. The listener can influence this polyphonic result by moving through the spatial environment or by positioning himself underneath one of the other Soundspots.

Rob van Rijswijk and Jeroen Strijbos’ Artist website.

ICMC 2008 Website

28 August 2008 00:00 – 29 August

Thurs 28 – Fri 29th August Rob van Rijswijk, Jeroen Strijbos- Soundspots

The listener must position himself underneath one of the Soundspots. On this spot he hears music coming from the traditional speakers. These sounds mingle with the music coming from the Soundspots, consequently resulting in a polyphonic texture of timbres. The listener can influence this polyphonic result by moving through the spatial environment or by positioning himself underneath one of the other Soundspots.

Rob van Rijswijk and Jeroen Strijbos’ Artist website.
ICMC 2008 Website

Heike Kaltenbrunner – About life and death of neutron stars and TVsets

ICMC 2008 Website

Heike Kaltenbrunner – About life and death of neutron stars and TVsets

26 August 2008 11:00 – 29 August

Catalyst Arts and SARC present…

As part of Sonorities Festival of Contemporary Music, 24-29th August and in conjunction with the International Computer Music Conference
Tues 26th- Friday 29th
11am – 7pm

Heike Kaltenbrunner – About life and death of neutron stars and TVsets

Loops of pulsar-signals- transposed to the frequencies of the audible spectrum- as well as the live stream of a radio telescope are assigned to a multiple speaker scenario. The signals are split and also fed to tube monitors which interpret them as horizontal and vertical lines. The sounds of the ‘dead’ stars thus generate pictures and slowly destroy the cathode tubes and burn the screen- until they end with a last flash.

 

Daniel Bisig, John Flury, Martin Neukom – ISOkaeder

Daniel Bisig, John Flury, Martin Neukom – ISOkaeder

25 August 2008 11:00 – 26 August

Catalyst Arts and SARC present…

As part of Sonorities Festival of Contemporary Music, 24-29th August and in conjunction with the International Computer Music Conference
Mon 25th- Tues 26th
11am – 7pm
Daniel Bisig, John Flury, Martin Neukom – ISOkaeder
They present an acoustic and visual installation that forms part of a project entitled ISO (Interactive Swarm Orchestra). ISO employs swarm simulations to control sound synthesis, signal processing and sound positioning. Visitors can interact with the swarm simulation via camera-based tracking and thereby affect the generation and spatial distribution of the resulting music. The installation consists of an aluminium scaffold in the shape of a dodecahedron that creates an internal space for interaction and 3D sound perception. The installtion set up also comprises a video projection that displays a real time visualization of the swarm’s activities.

Super 8 screening

Super 8 screening- Saturday 19th July @ 7pm

Date: 18 July 2008

Saturday 19th July @ 7pm Screening of the film shot by artist Aoife Desmond during the initial stages of the Garden Show. This is part of Aoife’s work for the exhibition. (The artist would particularly like to meet members of the Belfast Naturalists Field Club.)

The Garden Project

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Catalyst Arts presents The Garden Project

26 June 2008 19:00 – 16 August

27th June – 16th August 2008

Opening Thursday 26th June at 7pm

The Garden Project runs for the whole summer and builds on the ideas of growth and regeneration prevalent in the city.

The project consists of a group exhibition of four artists; Miriam de Burca/Belfast, Aoife Desmond/Dublin, Sandy Smith/Glasgow and Rupert White/Cornwall, in Catalyst Arts. Running alongside, is an extensive programme of events and activities taking place in the gallery, around the city and further afield.

The focus of the Garden Project is (re)development, with workshops such as seed-bomb making, sandcastle building, moss graffiti and visits from organic farmers and environmental consultants. It is hoped that the influence of these workshops, events and gatherings will extend beyond the timeframe of the project itself, resulting in a greater long-term awareness of our current environment and the city of Belfast.

The exhibition will be focused on the specifics of place, relating the themes of the project to the city, to the gallery space and to the nature of Catalyst itself.

Urban renewal, architectural injustice, botanical anarchy and larking about on the river are all on the cards for this summer long series of events!

Calendar of workshops, events and fun:

Summer Solstice Midnight Film Screening (outdoors with BYO barbeque)
Friday 20th June @ 11pm
£4

Masks and Hats workshop followed by a garden party barbeque on the terrace and live music.

Monday 30th June @ 3pm

£4 / 6 – suitable for all ages

(price includes materials and bbq)

Catalyst in the Box – 1 of 2 night of artist’s film/video screenings followed by live music from TBC
Thursday 10th July @ 8pm
£10

Urban Gardening (info event and action with artist Kevin Flannagan)
Tuesday 15th July @ 6pm

WI Day – Afternoon tea and bake sale. Girls only.
Sat 26th July @ 12-3pm
No charge (to ladies!)

City Center Secret!
Sunday 27th July, meet at Catalyst @ 5pm
No charge

Moss Graffiti masterclass with artist Kev Largey and the Urban Arts Academy
Tuesday 29th July @ 3pm
No charge

The Boating Party – A charity fundraiser. Catalyst hosts an evening soiree on the river with music, dancing, mojito’s and magic from special guest, Alex Kazam. (fabulous dress code applies!)
Saturday 2nd August @ 6pm
£20 (limited tickets)

Catalyst in the Box – 2 of 2 night of artist’s film/video screenings followed by live music from TBC
Thursday 7th August @ 8pm
£10

Seed bombs and Self watering vases with advice from organic farmer and environmental consultant.

Monday 4th August @ 3pm

£4

(price includes materials and open discussion/advice)

Tie dye workshop with BYO barbeque on the lawn.

Thursday 14th August @ 3pm

£6

(price includes dye materials and entertainment – bring an apron/coverup and whatever you’d like to dye)

Sandcastle Competition judged by esteemed architects Declan Hill (Todd Architect) and Mark Hackett (Hackett and Hall)

Saturday 16th August, meet at Catalyst @ 12

No entry fee, bring your own sandwiches and train fare for Helen’s bay.

Fundraiser Barbeque with live calypso band.
5 pounds – towards Autumn programming.

Aoife Desmond- Untitled (Detail)

Miriam DeBurca- You and Me

Rupert White- Rover

Sandy Smith- We Are All Building A New World

Catalyst Arts presents: Sandcastles

1 August 2009 02:00 –

Catalyst Arts presents…

The 2nd Catalyst Arts sandcastle building competition

Saturday 1st August 2009

2.30-5.00 PM

.

Artists’ Short Films

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Artists’ Short Films

Date: 5 June 2008

Artists’ Short Films Evening

 

Screenings take place: Thursday 5th June at 9PM in Catalyt’s Garden Theatre.

Catalyst Arts presents an evening of Artists’ Short Films, comprised of the most exciting fimmakers from across the UK and Ireland.

In the final days on the Members Show Catalyst is providing the oppurtunity for artists and filmmakers to show their work and view that of their contemporaries.

Perfopuerto Publication Launch

Perfopuerto Publication Launch

Date: 3 May 2008

PerfoPuerto was an exhibition residency at Catalyst Arts with nine Chilean artists in December 2007 that was part of FIX 2007. The nature of the event was time based (the artists spent two weeks in Belfast) but its legacy, a fully illustrated book, has been in progress ever since. Saturday May 3rd 5-7pm sees the launch of this book and like the event itself it will be active, engaging and forward-looking.

Sofia Greff (Transylvania/Frankfurt) and Alejandra Herrera (Chile)both performance artists, will be responding to the space and the project, simultaneously introducing and reminding people the activity and movement that is PerfoPuerto.

Sofia Greff (Image courtesy of the artist)
Sofia Greff was not part of the original Perfopuerto, her response to it is based on incorporating her art into the living , yet the longevity of such activities can only be assured through the validity of such a response. Alejandra Herrera was part of the Perfopuerto process but due to a bureaucratic error was unable to make it to Belfast to participate.

A. Herrera (Image courtesy of the artist)
‘Encounters hold a valuable discourse in which the artist’s and audience’s bodies become equally vulnerable, and a different dynamic is exposed.”
Alejandra Herrera, 2007
This event commences at 5pm sharp.
Cocktails and barbeque will be on the go.
Kindly supported by Michael’s Fresh Fruit and Veg and Parkhill Bell and Son Butchers
The publication is funded by Henry Moore Foundation.
Part of Cathedral Arts Quarter Festival.

Exclusive screening of video work from the Catalyst Arts archive

Exclusive screening of video work from the Catalyst Arts archive

24 April 2008 19:00 – 25 April
As part of the Artist Led Archive exhibition we are screening a selection of video work from the Catalyst Arts archive, featuring locally and internationally recognised artists.

Also taking place on Thursday evening Flaxart artist-in-residence Sean Miller presents…Yoko Ono’s Wish Tree and JEMA galleries…

The John Erickson Museum of Art (JEMA) is a location variable museum founded by Sean Miller. It has opened at Schalter Gallery (Berlin), Irish National Museum (Dublin), Deitch Art Parade (New York), Howard House (Seattle), Aqua Art (Miami Beach), and ACC Galerie (Weimar, Germany). The museum has exhibited artists such as: John Feodorov, Gregory Green, Arnold Mesches, Yoko Ono, Bethany Taylor, Sean Taylor, Sergio Vega, and others. For more info, show archives, and event images JEMA may be viewed online at www.jema.us

The current projects exhibiting at JEMA in Belfast are Yoko Ono IMAGINE PEACE and Gregory Green’s, Caroline A NEW FUTURE, A Project of the New Free State of Caroline.

The art museum dust collection began in 1996 and is comprised of dust samples from art museums worldwide. The art museum dust collection is comprised of dust samples, certificates, and microscopy imagery of the dust. Collectors are invited to compare, wear and share the dust and in doing so celebrate the beauty of this misunderstood fine art product. Entropy offers collectors and endless supply of striking dust samples composed of tiny castaway pieces from selected institutions, decaying art, art audiences, artists, and art administrators. Microscopic photography reveals the high aesthetic properties in art museum dust and its uncanny relationship to modernist abstraction.

The newest product from the Art Museum Dust Collection is Art Museum Drink Coasters. Art audiences everywhere may enjoy their favorite beverage while placing dust images on tables or fine surfaces. Especially designed as a performance for museum events, the coasters bearing dust imagery may be spread about art spaces as people enjoy cultural events. In this way the dust changes from an embarrassment to a dynamic aesthetic presence in the museum.

So please bring your own beverage & we can make lots of lovely dust…

Artist Led Archive

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Artist Led Archive

5 April 2008 15:00 – 26 April

Conceived by artist and curator Megs Morley in response to a practial and conceptual enquiry into artist-led culture in Ireland.

The archive initiates debate and critical thinking into the sometimes contested ‘histories’ of artist-led organisations, celebrating the work of past initiatives and exposing the roots of some of our oldest cultural vehicles. In doing so, it creates a resource tool and context for future initiatives. Also on show for the duration of the exhibition will be the work of artist in residence, Duncan Ross. His highly subjective and discriminatory study of Catalyst’s own archive will be described in a wall based mind map and a video montage culled from multi media remnants.

Saturday 5th Opening discussion from 3-5pm

Featuring:
– David O’Brien
– Mick Fortune
– Dan Jewsberry
– Aileen Lambert
– Deidre O’Mahonny

Opening reception from 8pm featuring a performance by Rainer Pagel

Thursday 24th and Friday 25th Screenings of a selection of rare artist films from the archive from 7pm

Catalyst Arts 2nd floor 5 College Court Belfast BT1 6BS

 

FIX 07

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FIX 07- 7th International Performance Art Festival

14 November 2007 00:00 – 07 December

FIX07 presents a programme of performances, interventions, discussions     and workshops illustrating creative strategies for a dynamic engagement     with the praxis of live art.

Established since 1994 FIX has an international reputation for presenting     emerging and established national and international artists. The seventh     edition of this festival has evolved its programme to over three weeks with     focus on expanding collaborative, investigative artworks that engages with     the notions of what is public and live.

FIX07 seeks to engage audiences with challenging performances and interventions to     explore new approaches and open dialogues.

Or for photos and coverage from the events as they happened, check out the Blog or the FIX07 Flickr gallery.

Art/Not Art, Bbeyond, Malgosia Butterwick, Jeffery Byrd, Marta Ciappina, Alex Conway, Legitimate Bodies Dance Company, Angel Pastor, Perfopuerto, Peter Richards, Helen Sharp, Skint but Articulate, Barbara Sturm, Angie Taggart, Aaron Williamson, Daniel Vais-The Lovespotters, Jacques Van Poppel

 

Perfopuerto Artists In Residence

30 November 2007 00:00 – 11 December

PERFOPUERTO is a Chilean based performance art organization, since 2001. Responsible for producing many international theme based festivals and events including the 1st performance art congress in 2005 & Ensemble of Women in 2007.

As part of the FIX International Performance Art Biennial, Perfopuerto are invited guest artists in residence at the Catalyst Arts Gallery. From the 30th of November to the 11th of December.
The project will highlight new innovative visual, sound, installation, illustration and performance that will approach collective and independent artistic identities when working within umbrella organisations and Chilean art.
The project will highlight new innovative visual, sound, installation, illustration and performance that will approach collective and independent artistic identities when working within umbrella organisations and Chilean art.

For more photos from the event, check out the FIX07 Flickr gallery.

Student Show

 

Annual Student Show 2007

Kathy Graham – Dawn Hannah – Johanna Leech – Seamus Sullivan – Ben Craig – Thomas Walker – Peter Spiers – Ethna O’Regan – Elizabeth Sweetin – Tracy Hanna – Rebecca Ann Tess – Nicky Larkin

Rag and Bone

 

Rag and Bone

feat Martin Carter

A passion for recycling is evident in Martin’s artistic practise and his community work. Providing practical, creative and entertaining solutions to problems, physical or social, is the basis of Martin’s work. The ‘Rag-and-Bone’ man is an old term for a junk dealer. The phrase referred to an individual who would travel the streets with a horse drawn cart calling for household’s waste and scrap to be turned into reusable or resalable items.  Before automotive transport they were an impor- tant part of society since householders had limit- ed ability to travel to collection points. They would use a distinctive call to alert householders to their presence and often tied balloons to their cart to give to the neighbourhood children in exchange for the unwanted items.  The rag and bone men were recycling long before the act became a government initiative.  They were last seen in Belfast around 40 years ago. This project combines the 2 main elements of Martin’s practise, creative recycling and community development.  The project is aimed at specific areas of Belfast, the older communities, places where the artist grew up and which have become increasingly rundown. Martin constructed a cart from recycled wood and metal.  This was teamed with Dandy the horse and Martin himself as the Rag and Bone man.  For 3 weeks in September, the communities involved were witness to the spectacle of the rag and bone man doing his rounds.  For the older members of the community, reviving memories while for the children it was an entirely new and unexpected intervention into their familiar surroundings.

The rag and bone man’s travels were documented and edited in to a short film by artist Seamus Harahan and screened at Catalyst Arts at the end of the project.  Members of the communities involved were invited to attend along with the wider Belfast community. The items collected by the rag and bone man were displayed in a temporary charity shop in the gallery space, available for visitors to swap or take away.

Mai Takahashi, Textil Show

 

Mai Takahashi

2 August 2007 00:00 – 25 August

Mai Takahashi is a Japanese textile artist who specialises in the traditional Japanese textile technique Bingata. After completing her degree in Japan, she moved to Okinawa, which is located on the southern edge of Japan, where she learned the technique in a local workshop. After that she moved back to her hometown and started her practice.


Bingata is a dyeing technique that is unique to the Ryukyu Island and continues to be practiced as a traditional artform on the Island of Okinawa today. This exhibition presents her art works and introduces the history and the process of the technique.

The installation will present some of her work whose theme surrounds environmental and biological issues. Therefore, in contrast to traditional Bingata, the images she uses are more focused on details of contemporary society. The works are dyed on materials today used in the fashion industry, as opposed to Ryukyu cloths which the technique would have traditionally been used on.

Bingata, its history and its technique will be introduced in the workshops, as well as some actual tools and traditional materials which will be on show in the gallery as part of the exhibition.

It is the first time Mai Takahashi will showcase her work in Northern Ireland, and also the first time for Bingata to be introduced here.
The project is supported by: Arts Council of Northern Ireland,
The Daiwa Anglo-Japanese Foundation, Ginger Tree Restrunt,
The Great Britain Sasakawa Foundation,
Tanakanao Senryouten.

Jason Oddy ‘Turning Things Round’

Jason Oddy ‘Turning Things Round’

1 June 2007 00:00 – 01 July

Jason Oddy’s exhibition Turning things round is an oblique look at idealism. Taking the circle and its 3-D counterpart, the sphere, as the absolute geometrical forms, the show suggests how both historically and in an everyday context they have come to represent a way out and a transformation of the mundane, man-made world. The title piece – a video installation in which films of four exemplary spherical buildings are projected onto a cube – suggests how they might adumbrate a Utopia.
Equally Turning things round addresses the matter of rotation and inversion, and how such acts institute a contemplative attitude that can lead to a new way of looking at things. Symbol sees a gold swastika spun at high speed to the point where it becomes a glowing disc. Varanasi 2007 is a large-scale photographic work in which the Ganges – that most redemptive of rivers – is seen upside down over a 24-hour cycle.
Other works in various media also ask us to think about change, and the way that the twin laws of impermanence and cyclicality dissolve oppositions, offering us a means of stepping outside the usual framework of our lives.

‘Es (the above I)’

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‘Es (the above I)’

5 May 2007 19:00 – 31 May

Preview: Sat 5th May 7-9 pm.

Exhibition runs from:
8th – 30th May 2007
Tue – Sat 11am – 5pm.
This exhibition is showcasing new commissions from four international artists who are both gaining recognition for, and are in the practice of fully realising artworks of a highly substantive, qualitative and contemporaneous nature. Albeit the outcomes are very diverse, the four artists chosen share a common thread in their practice. The departure point for them all is drawing which underscores their methodologies, but the show Es presents a prismatic range of end results, from drawings on paper or directly onto the gallery walls, through to painting, sculpture, installation and film. It offers an opportunity to compare and contrast the ways in which the exhibiting artists combine these different media within their practises.

A delicate web of connections, spanning three vibrant artistic communities unites these works. The title for the show reflects this element of connectivity and translation. The image has the word ES written in the sky; the German for IT. The Freudian term for the division of the psyche is Es, Ich, Überich (id, ego, superego), yet its direct translation is “It, I, over I”. However, if one does a search for a translation online, one gets “The Above I”. This also serves as a suitable metaphor for the act of drawing itself as gaining understanding of the world through the eye of the artist; processed in the psyche and expressed by the artist’s hand, it consequently translates the world into moments of resolved meaning. This form of translation also hints at man’s metaphysical conundrum of trying to gain understanding of our position in the universe: the IT (everything) above I (the individual).

These subtly evolving semantic links furthermore serve as a metaphor for the interconnectivity of the artists’ practice, highlighting the similarities and differences informed by their cultural surroundings.
Lucy Skaer:
Glasgow, New York
Skaer’s practice incorporates many artistic techniques, from drawing, to interventions in the street, to scientific collaboration. Lucy’s drawings utilise found imagery reinterpreted through known compositional structures such as Venn and Rorschach inkblots.
Lucy has been nominated as one of the representatives of Scotland in this years’ Venice biennial.

 

Felt Experience Project

Felt Experience Project

02/01/2007 – 27/01/2007

An exhibition of video works

Siobhan Mullen – Anthony Kelly and David Stalling – Yaron Lapid – Cynthia Greig and Richard H. Smith – Hugh O’ Donnell – Yoshiko Shimada- Miriam De Burca – The children of C.R.I.B.S.

 

 

FIX04

 

FIX 04

04/12/2004 -18/12/2004

 

FIX04 was  the 6th edition of the Fix Biennial of Performance Art, which Catalyst Arts (Belfast) has been organizing since 1994. In addition to premiering performances by 14 artists from around the world, this edition  focused on consolidating FIX’s history as the longest running event of its kind in the UK.

 

The work  took place in and around Catalyst Arts Gallery (5 College Court, Belfast). FIX04  celebrated the pleasure of action in the city, and invited poetic and political consideration of a range of issues, including gender, the labour market, the environment, and human rights.SourceURL:file://localhost/Users/catalystarts/Desktop/ARCHIVES/FIX04/FIX04%20HOME.doc

FIX04 Participants: Arahmaiani (Indonesia), Marilyn Arsem (USA), Sylvette Babin (Québec), Anne Bean (England), John G. Boehme (Canada), Alexander Del Re (Chile), Sinéad O’Donnell (N. Ireland), Jamie McMurry (USA), Michelle Rhéaume (Québec), Denis Romanovski (Belarus), Vasya Vasileva (Bulgaria), Helen Sharp (N. Ireland), Matt Cook (Wales), Uto Gusztav (Romania), Matt Cook (Wales), Roman Maskalev (Kyrgyzstan)

From Ritual to Romance

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From Ritual to Romance: Mail Art Show.

6th of December 2001 – 10th January 2002

Using the theme of the body and how we alter its surface to portray an inner characteristic or belief. Manipulating the body in an expression of self and using it as a direct means of communication through something as a tool of association to memories, desires, feelings and emotions, combinbining this with the use of the postal system, to dissect ourselves physically and mentally. A journey into ourselves to be assembled dispatched and reassembled on arrival.
This open submission to members exhibition asked people to submit a piece of work via the postal system on any medium such as: postcards, letters, designed envelopes, photographs, handmade paper, acetates, packages that can be opened by an audience or guessed at, x rays photographs, photocopies, L.P’s, invoices, receipts, vinyl, steel, fabric or even a combination of articles from a single piece. These materials were used by the artists as a vehicle of communication to be sent by post reflecting the journey of that object with the journey of its sender. 567 artists participated.

The Stars Looks Down

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The Stars Looks Down

18th of october – 1st of december 2001

This exhibition showcased a diverse selection of new works from 7rising artists based in Northern Ireland, with machines and inventions, sushi, film, paint, drawing, exploring our fears and paranoia’s, food, dating and the stuff we trow out featuring Michiko Okuyama completed an AM in Applied Arts in June 2001. Using screen print, paper, sculpture, pop up boxes, origami and real sushi her work explored her own relationship to her native Japan, and employs the distinctive colours and patterns inherent in its culture. Paddy Bloomer is currently at the workshop collective. Using industrial and domestic mechanical waste;society s waste Paddy makes machines. He explores the fallacy of invention and inventors as well as notions of consumer waste. Deliberately employing dysfunctional mechanisms give his inventions an unpredictable, chaotic will of their own, often prone to spectacular and dangerous self destruction. Diane Wilson graduated from the University of Ulster in 2000 she works with super 8 film, found junk and natural materials and is concerned with social highs and lows. Using animation and film stills she showed a short drama about dating. Mark Taylor makes paintings depicting dogs, these intense images are worked from video footage and snapshots. Tey explore our preconceived psychological fears of the animal as well as the manipulation of reality into fiction. Nicky Keogh graduated in 2000 from U.W.E in Bristol, he is interested in our place between nature and technological age of media mayhem tat we live in. A previous project involved manufacturing a device that enabled small fish to explore trees. Duncan Ross is another 2000 graduate, from Duncan of Jordanstone College of Art, Dundee. Previous projects have included the creation of his own Contemporary Art Center. Confused about the difference between art and the other things he sees. This manifestation will took the form of another ‘wall drawing’. Simon McBride graduated from the University of Ulster in 2000. His work mainly deals with the notion of process, although at the same time his pieces take on a high degree of ‘closure’. They therefore questioned the notion of the finished piece of art.

Belfast Film festival and Klub

Belfast Film festival and Klub

27th of September – 5th of october 2001

Catalyst participated and held screenings and talks as part of the Belfast Film Festival.
The screening were of Heaven by Peter Staley, Spence Brothers film showcase, by the local filmmakers Noel and Roy Spense, Pixote by Hector Babenco; Harold and Maude by Hal Ashby, Umbarta by Jabbar Patel, How Far by Home? by Brendan Byrne; All power to the people by Lee Lew Lee; Stepping Razor- Red X The peter Tosh Story, by Nicholas Cambell, Alice In The City by Wim Wenders; Weekend by Jean- Luc Godard, Julien Donkey – Boy, by Harmony Korine; The Bitter Tears of Petra Von Kant by Werner Rainer Fassbinder; Paddy Jolley Screening and Talk.

Crash Pad

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Crash Pad

16th – 31st August 2001

This exhibition was a compilation of music videos and bootleg music performances. It was presented as a installation in the gallery. This was an open call submission for material for this exhibition which was then compiled in this collection of projections.

Featuring promos, TV appearances, bootlegs and authorised releases from:

Sonic Youth, Throbbing Gristle, Mouse On Mars, Devo, Nick Cave and the Bad Seeds, My Bloody Valentine, Pussy Galore, Dr & the Crippens, Swans, Napalm Death, Spaceman 3, The Jesus and Mary Chain, Atari Teenage Riot, Add N to X, Butthole Surfers, Rollins Band, Stereolab, Monster Magnet, Huggy Bear, Shellac, Bongwater, Phychic TV, The Cramps, Ultra Vivid Scene, The Fall, Coil, Gallon Drunk, Television, Rapeman, Mercury Rev, Nirvana, Fugazi, The Jesus Lizard, The Flaming Lips, Big Black, Mudhoney, Ciccone Youth, Pink Floyd, Joy Division, Einsturzende Neubatten, Lee Ranaldo, Aphex Twin, David Sylvian, Some Velvet Sidewalk.

Strutt

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Strutt

31st July – 10th August 2001

 

 

This exhibition was part of the Belfast Pride Festival, artists participating were Michelle Mc Cloy, Phil Collins, Deirdre Mc Kenna, Sam Rucica, Miriam Rogers, Stephen Mc Keowan, Michael O’ Boyle, Phil Hession, Fiona Ni Mhaoili.
The show deals with sexual identity and imagery around these issues.

Advertance

Advertance

1st June – 4th July 2001

Cross currents in Documentary media. This film project is a collaboration between Catalyst and Cinilingus. It is an examination and shocase of documentary film and video from around the world. Films included were, Intervista by Anri Sala, Hstorical a constantly evolving ongoing series of archival based film screenings curated by Stephen Parr. Richard Wentworths piece Making do and getting by. Bright by John Smith, Animal, Vegetable, Video: Oasis by Sam Easterson, Planet Krulick Archive, Notes From the Basement, by Rainer Frimmel, Home Movie Archive, Gates of Heaven, Salesman, Theremin: an electronic odyssey, Land without Bread, What You see is where you re at by Luke Flowler, Clive Myers screening and talk, Paris is Burning by Jenne Livingstone, Those who are Jesus by Steven Eastwood, Scopitone, Deliver Us, The Alcohol Years a film by Carol Morley.

Two Weeks In Another Town

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Two Weeks In Another Town

5th April – 1st of May 2001

This event brought together a selection of eight artists from Ireland and Scotland.
Offering an eclectic mix of contemporary visual art that wishes to draw on established links between these two countries. Using the common ground of travel, journey and the insights lost or gained through our perception of certain elements of a place that has become overlooked or forgotten by its inhabitants. To gain a fresh insight of these tow continually migrating cultures through a strangers perspective. In effect becoming the visionary of how to see a place that has in some way become used to itself or forgotten.

The artists were Sean Hillen, Margaret Barron, Makiko Nakamura, Tracey Murray, Gair Dunlop, Belinda Guidi, Sarah Felton, and Shauna Mc Mullan.

Alex Bag

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Alex Bag

18/5 – 10/6 2000

 

Catalyst Arts are very proud to present Alex Bag – the New York bag lady of numerous guises cometh to infuse Belfast with her frivolous flare. ‘Twelve Spells’ are twelve photographs of Bag’s mates representing the zodiac signs, each sign induced by it’s favorite drug. ‘The Artist Mind’, 30min video spoof on Damien Hirst, starring Alex’s brother Damian Bag. Video/ lounge/ library. Come and lounge and get seduced in her very own living room – warped through timezones and the Atlantic and landing right here in the upper gallery space at Catalyst Arts. Zinging of her video library spanning the works: Spring 94, fall 95, fancypantz, his girlfriend is a robot, harriet craig, untitled project for the Andy Warhol museum, a compilation of public access show, and a compilation of various appropriated television and video clips.

 

Cathedral Quarter Art Festival

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Cathedral Quarter Art Festival

3rd – 13th May 2001

 

Catalyst participated again in the growing and successful Second Cathedral Quarter Festival. Gillian Wearing confess all on video opened in Catalyst on May 3rd and ran until May 1(th. Gillian Wearing was the 1997 Turner Prize nominee who belongs to a group of young innovative British Artist making profound impact on the art scene of our time. This work in the gallery consisted of video obsessions and confessions of things people wanted to say in front of a camera.
A Night With John Carson was held in Catalyst Arts on May the 10th. This was his first public appearance in Belfast since leaving twenty years ago, he took a ramble across the years where art and life have become strangely confused. People Like Us was at Catalyst Arts on the 4th of May. It was the work of Vicki Bennett whose CD’s and LPs on soleilmoon Recordings, Hot Art, Straalplaat and Audioview labels feature her unique Plunderphonic styling. Die Kunst was at Catalyst Arts on May 5th this was an avant punk art surf trio DIe Kunst wich are an art project production with a powerful analogue sentiment. This was also part of the international Langage project by Grassy Knoll production. Divine Trash was at Catalyst Arts on May 7th it was a indepth look at the early career of the outrageous cult filmmaker John Waters. John T. Davis Screening & Talks. Anumber of films and filmmakers have emerged in recent years who are also the manner in wich they do so. John T Davis is one of these and this is a sscreening of three of his films. I Can Be Rented was in Catalyst May 9th, A night of Gay film and video for over 1!s and those of a nervous disposition. Memory Cells and Avanto this is a visual noise piece wich featured filmmakers employing various strategies of visual sabotage. the shared theme of these works is the pure aesthetics pleasure than can be derived from delibarate flaws, disturbances and irregularities both in digital and celluloid imagery. Oval was on May 4th and it was a music about media, aesthetic presence and organised sound, composed out of remants of both music and musicality.

Bush Mechanics

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Bush Mechanics

10th February – 18th March 2000 Bush Mechanics was Catalyst Arts first show of 2000,  the two artists worked in collaboration to produce a show including site specific sculpture, video and installation. Claire Barclay from Glasgow and Anne Ooms from Sydney, Australia, both share the experience of having lived in each others countries for an extensive period of time.  The exhibition signifies a working process developed by Anne and Claire through correspondance of text, image and video.  This show was accompanied by a special Artists talk and Film Club event on Friday 11th February.   Review in Circa, May – June 2000, Ruth Jones and SSI  May – June 2000, Miriam de Burca.